NO INTERNET THAT MORNING

Tuesday, September 11, 2001, was a beautiful clear, crisp morning in New York City.


The summer’s heat had dissipated, replaced by fresh and invigorating breezes from the north. The character of daylight had changed, too, as it always does after Labor Day. Gone were the sweltering chords of sunlight at some Godforsaken hour. Sol’s light had already become softer, later in the morning, and more diffuse. The canyons of Manhattan transformed that reduced lighting to shades of blue and grey between brick, glass, and steel.


Everyone was back from summer vacation. The streets bustled again with the kind of frenetic activity you remembered from before the summer.


Part of that hustle was getting kids back to school, like every September.

FLIGHTS OF FANCY, PART 2

I continue from last week’s post FLIGHTS OF FANCY, PART 1 with Bill’s very unexpected description of my Grandmother, Margaux Alain, at work in her salon.  Notice the use of the Prussian Frau Landlady as a foil:

The French dressmaker was a constant revelation to Frau Landlady. In the coldest days of winter, the dressmaker would be bitching up a storm about the lack of heat when the landlady would come tramping down the stairs lit by a fifteen-watt bulb, her body covered with heavy wooly underwear and layers of sweaters, bearing a huge thermometer in her fist to prove to the French madame that there was ample heat. When the landlady would tap at the door, she always got the shock of her life to find the French madame running around on ten-degree-cold days with just a bra and panties. She couldn’t design fully clothed; she found inspiration only flowed to her fingers when she was almost naked. Of course, the landlady would hit the ceiling, wildly screaming, scaring my customers out of their wits.

I remember my Grandmother at her sewing machine, cigarette in mouth, wearing a bathrobe with, I guess, nothing else on but just a bra and panties. Now I know that she didn’t bother to wear that bathrobe when I wasn’t around.

FLIGHTS OF FANCY, PART 1

Just because I was a schmo working at Polo Ralph Lauren who sold twenty fugly ties to Elton John (and pants to Carl Sagan) didn’t make me a fashion genius. Sure, I could match neckties to shirts, but look at what I was working with – Mr. Lauren made it easy!

No one in my family had any significant interactions with Ralph (my inconsequential meeting aside). But we did enjoy a relationship with someone at Ralph’s level. And by this I am referring to my maternal Grandmother Marguerite Alain and her lifetime friend, Bill Cunningham.

An iconic New Yorker through and through, Bill was a soft-spoken milliner who shared a commercial studio adjacent to my Grandmother’s Design Studio in the 1950s. They both loved flamboyant styles and clothing that made a statement. When hats went flat in 1960, Bill emerged as a fashion reporter for Women’s Wear Daily and then for the New York Times, where he was often seen riding his girl’s bike around midtown, stopping to take pictures of well-dressed women on the street.  Up through 2016!

SYMPATHY FOR THE YAK, PART 1

The Central Park Zoo in the mid-to-late 1960s barely resembles today’s facility.  The centerpiece, the Sea Lion Pool, which remains pretty much as it was (with the addition of plexiglass walls, so you can see the seals swimming underwater). But the rest of it, which resembled a prison for animals, has been dramatically remodeled to be the more “naturalistic” habitat seen today.

CP Zoo2

For one thing, back then you could tell when you were close to the Zoo by the strong smell of excrement. Today, the smell is gone, with one exception: the Penguin room which has a fairly strong scent of guano. Well, they do have a lot of water birds paddling around in the simulated Antarctic environment; the main attraction is their own indoor  large plexiglass pool where the aquatic acrobats can be admired while “flying” through the water.  According to the penguin keeper, they love it when the keepers “turn the rain on.”

Zoo Pengies.jpg

Back in the mid-1960s, I remember a row of cells behind the Sea Lion pool, where incarcerated animals could be seen behind two rows of bars. There was a gorilla, a leopard, and several other inmates. They either sat at the bars looking out sullenly, or paced back and forth endlessly.

THE AUTOMAT

From the hall of ersatz messages, we walked around the corner to the authentic original temple of modern dining, the Automat.

Long before McDonald’s and Burger King moved from strip mall paradises out on Highway 50 in Orlando to urban centers near Grand Central, Horn & Hardart had reigned supreme as America’s original fast food restaurant. Like the post office, the walls were covered with tiny glass windows displaying Salisbury steak, sandwiches, macaroni & cheese, pudding, or slices of cherry pie, all fed by kitchen staff behind the wall. After inserting either coin or token into the slot and turning the handle, you could raise the window and take out the delicacy.

There was also a cafeteria line if you had more time to wait.

THE BIGGER IDEA (AND ME AS WINGBOY)

Everyone has a shining moment. My Dad’s bears repeating. He really slayed it!

So Dad got the idea for a fantastic business related to patent filings and infringements, kind of an amalgam between legal and IT but not a legal practice, strictly speaking. As I am able to remember it, he had become friendly with Ed Greer, who was head patent counsel for the Union Carbide Corporation. Union Carbide was one of the biggest chemical corporations of the day and was headquartered in their own magnificent skyscraper two blocks up Park Avenue from the Pan Am Building.

It was a probably a simple matter for Dad to put it together that large corporate patent owners could benefit from some form of computer calendaring.
Keep in mind that a large company like Union Carbide owned a large portfolio of patents. They would initially file patent applications in the home country, USA for Union Carbide. And as they were a large multinational corporation selling their wares everywhere, once the patent applications were accepted here at home, they would then engage in an international filing program elsewhere, typically the largest 15 countries in Western Europe and then Canada, Japan, Australia, New Zealand, and maybe Brazil and South Africa to boot.

84TH STREET STATION, 3RD AVE EL

With great sadness, I regret to inform my readers of the passing on September 29, 2016 of Kit Davidson, Director and Producer of “3RD AVE EL.”  I find myself fortunate to have interviewed him for this blog a few months before his death.  Please see my post above for a review of his film; I compared it to Roshomon!  This news was sent along to me by Mr. Joseph Frank, former police officer, who found my stories about THE LOST LINE.

You see, Joe grew up by the 3rd Avenue El and recently found my web site due to his interest in elevated trains.  Specifically, he is from the Yorkville neighborhood of Manhattan — where I live — which is an old German and Hungarian enclave from the 20th century.

GRAZING

Above: beautiful Charolais cows in France.  Livestock photo by the author.

During my furtive job search in 1985, Brown Brothers Harriman was obviously not the place where yours truly got closest to the Finest Escape from an injurious job situation.  That distinction belongs to an interesting entity called the Manufacturers Hanover Trust Company (“MHT”), otherwise known as “Manny Hanny.”  A storied bank that had grown on the back of multiple acquisitions, by the mid-1980s it was one of the largest in New York City (and the world, for that matter).

However come 1992, it was no more.  Kaput.

But in its day, one of its core strengths lay in its international banking operations, which was my particular interest.  Plunging my contact list, I came to visit the headquarters numerous times at 270 Park Avenue.  Astute readers may recognize that very same address from previous posts as Manny Hanny had purchased it from none other than Union Carbide.  This was the very same building that Dad had dragged me to when he went trolling for secretaries in the 1960s, see my post “THE BIGGER IDEA (AND ME AS WINGBOY).”

It was the locale of the big score in my family, in other words, hallowed ground.  Maybe it would be the same for me, personally.

MAN-KILLER!!!

In my post last week named after Salvador Dali’s surrealistic masterpiece, “PERSISTENCE OF MEMORY,” I ended the story, “I dusted off my resume and …”

… sent it off to the HR departments at all of my favorite potential employers!  With, as previously noted, many misgivings.  But I had to do it.  It was time.

Not long after, some initial feedback trickled back to me and it was a little unsettling.

Turns out that I was no longer what you would consider to be a new graduate.  Technically speaking, this meant that I was trying to make a prospective “career change.”  In the job market, that’s a no-no and often a no-go.  You see, if you’re skilled in one thing, you are automatically presumed to be no good for anything else.  The job market is very simple-minded that way.

Look, I don’t write the rules.  Just a silly blog.  I’m merely reporting here.  You decide.

OF GIANTS AND DWARFS

Special note: Today is Dad’s 98th birthday!

As related in my last two posts, “THE NIGHT IS DARK AND FULL OF TERRORS,” and “FIRST TEST,” my full-time entry into the family business was marked by both gloom and doom on one hand, and affirmation on the other.

You could say it was a study of extremes. Like my Dad.

The location of the office was, well, anything but standard.  It was close to my home in Manhattan — five miles as the crow flies.  Just across the river, the first stop.

Yet, it was hideous from the point of view of public transportation.  Two subway lines to Times Square; a bus from the New Jersey Embassy (otherwise known as the Port Authority Bus Terminal); and then a quarter mile uphill slog.  This was a tough commute of one hour’s duration, each way.  It was the Goddamn bus that took the longest, inching its way through hellacious traffic to and from the Lincoln Tunnel.  If I could have walked on water, I could have hoofed the whole thing in just about the same amount of time.